Yong Xin Lin Qingfu: Creating the best art in the heart

Lin Qingfu

In the eyes of ordinary people, Lin Qingfu is already a successful businessman. But for him, creating the best of the heart is the most important thing for him. What he experiences in this process is the meaning of life.

In the mahogany furniture industry, low-key is the commonality of many tycoons. Lin Qingfu, general manager of Yongxin Classical Furniture, is here.

He still retains the simple temperament of "Village Baby", his face always has a bright smile, his trousers are rolled up at will; his mind is as clear and clear as a cup of clear water, easygoing, restrained, humorous, true, direct, without any shelf . Among the many entrepreneurs, he is not the richest, nor the most successful company, but the most attractive and most showable, but his experience and understanding of life is really touching. What we have seen is just a lively stage, very serious, hardworking and eager to pursue the ideal of Lin Qingfu. For him, doing furniture is his own ambition.

Calm passion

Asked about the opportunity to enter the classic furniture industry, in fact, half of it is to go to the natural half-time true love of Chinese traditional furniture culture. Coincidentally, Lin Qingfu grew up in the artistic town of Xianyouba, and his ancestors used wood as a living. His father was also a married furniture craftsman in his early years. In such a family of artisans, he has a special feeling for wood from childhood, and with a strong curiosity about art. When I was a teenager, I followed my father and studied carving skills and studied for many years. I slowly carved out a good piece of work. This is his academic career. At that time, he found his own life orientation and felt that carving was the way he had to go in his life.

In the late 1990s, around this time, Lin Qingfu went to Beijing to sell handicrafts, and in the Forbidden City (microblogging) museum saw the classical furniture treasures of the Ming and Qing Dynasties, which were so shocked that they lingered. In this trip, he became a character with a commercial sense of standing on the front line. In the years of the South, the Southern Expedition to the North, which gave him more understanding of classical furniture, and also met many like-minded people. After that, with the skill of carving craftsmanship, he quickly got on the right track and sang a song of struggle. Despite the financial crisis in 2008, he was very calm, taking away the mediocre colors and using his calm heart to ignite the years.

"My biggest advantage is that I am very diligent and do something for art." Lin Qingfu evaluates himself. Yes, this is a workaholic, and it is a full-fledged career madman. "Diligence" has created his life. You can see a spirit of "focusing on woodwork." He often gets up at 6 o'clock, dresses ordinary, then runs the factory to work, and stays for more than 6 hours to personally check the quality of the product. The factory is very hot and noisy, but he is willing to go into the actual operation surface, discuss skills with the master craftsman, and enjoy it. Then, for a moment, I couldn’t help myself, and I went back to the exhibition hall without stopping. Or, I am willing to calm down and read all kinds of books, pay attention to new products, and gain insight into their strengths and weaknesses... These constitute the look of his life every day. In addition, he also realized the fun of collecting. "My apartment is a collection of handicrafts. Sometimes I am planted in this world. When I get along with them for a while, I will realize the true meaning of life and make myself think clearly. a way." These seem to have no life interest, but he does not think so, but becomes an indispensable part of life. Compared with the name of the general manager, Lin Qingfu is more willing to describe himself as a craftsman. It is this kind of mentality that he is arrogant and arrogant.

A successful man, when I think about it, I can talk about it in a self-deprecating and relaxed tone between laughter and laughter. Yuanding furniture, looking up, listening, learning, exploring, he fell in love with this industry, from a " wood carving craftsman" to a "classical furniture expert", his every step has been very stable. Obviously, he does not have a certain legendary story, but the power of ideals. Undoubtedly, his life trajectory is very simple, it is born for "art". When all this came naturally, this action began, and Lin Qingfu was ready for the next goal.

Creation, never ending

Lin Qingfu is a person who is not good at expressing words, but when talking about the creation of classical furniture, Lin Qingfu is fully engaged and lingering. In his view, the significance of making furniture is to express one's love for traditional culture. Therefore, in the mechanical age, traditional craft aesthetics is still pursued. Initially, he first tried to start from the palace chair. Compare the furniture of the Forbidden City and repeat it. Then, learning and absorbing the essence of the predecessors, slowly explored and refined their own artistic style, the furniture tastes more and more, simple and intriguing.

It can be seen that in today's increasingly symbolic art, he gradually has his own opinions on furniture, and he also has a ruler in his heart, which plays a role in judging. Its artistic pursuit is purely a return to the concern of the furniture itself. There is a set of self-determined new dimension in the creation. It is the purpose of creating the true taste of furniture and portraying the culture; the “thinking” is his creation. The principle emphasizes creation in life, the vision should be relaxed and relaxed, and the simplicity and thickness should be reset in the furniture; the integration of craftsmanship into furniture is his insistence; it is his compulsory course to look at furniture all over the country. . He is not an artist, but he knows how to play mahogany as an art form with self-style, or thanks to the super-intelligible insight.

Behind the good works is "hard training." Engraving needs to be focused, and Lin Qingfu said that he can just use the grind. In addition to hard work, creation must be savvy, so his creative process always begins with extensive reading and research. Starting from the design drawing, the idea is formed in the brain a little bit. First, use the loose wood to make samples, and then modify it, and then one day he feels that he needs to do more and more specific. The reason he repeatedly emphasized is actually very simple, that is, to do the product well, to make the characteristics, and secondly to make money. He said that this is also the case, the requirements for furniture is strictly famous, in addition to the art of the profile, pay more attention to quality, and put it in the first place.

The woodcarving crafts and classical furniture in the exhibition hall are the result of design and fine craftsmanship over the past few years, which can be seen as the crystallization of hard work. When you see his furniture at first sight, you can clearly judge it, solid technical skills and a deep understanding of traditional culture. On the basis of inheriting the tradition of classical furniture, it constantly innovates and develops, brings into the modern aesthetic consciousness, pursues the perfect combination of beauty and practicality, and fully demonstrates the inclusive style of storage. Each piece of traditional craftsmanship, exquisite materials, high quality, not only has a high collection value, practical value and appreciation space, the most important thing is that it has a good artistic style, so that many classical furniture The family can quickly have a feeling of deja vu, like an old acquaintance.

For example, the "Seven-piece Round Table" won the gold medal of the Straits Expo. The whole body is made of precious rosewood. The stool surface is smooth and the waist is under the stool. The workmanship is exquisite, the shape is unique, the appearance is perfect, and the auspiciousness is full of enthusiasm. It is a unique Qing furniture. The "Red Sandalwood Dragon and Phoenix" is a finely crafted flower board with a variety of themes such as "Hong Fu Qi Tian", "Wan He Qi Dance", "Bamboo Cai Ye Fun", "Hangtang Water" and so on. Rich decorative effect. The grid is imitation of bamboo shape, depicting Bi Xiao, elegant and elegant, and has the natural interest of nature, and it is even more brilliant with the enamel copper sheet. Bright and transparent, there is a change in the side of the side. The glory of Huang Huang is a grand view. Not only that, but a series of works such as Laoshan Sandalwood and the 33rd Guanyin and the Rosewood Ancient Frame also have endless artistic tension and eternal value and significance.

After decades of searching, I arrived at today's Clarity. After the 70s, Lin Qingfu thought more and more far. The constant is the craftsmanship, and welcomes the pressure. He did not invest in the arms of business, and he had precious inescapable freedom while he was dealing with capital. Sincerely, the reward for the ideal has brought him a lot of gains. "The classical furniture created is the image in my heart, and the ideas and viewpoints I want to express. The learning and creation of classical furniture cannot be accomplished overnight. This is endless," Lin Qingfu said with enthusiasm.

The ideal is on the road

Everyone around them mentioned Lin Qingfu, and they all have the same opinion. "He must be particularly stressed, but he will use humor to solve it." He also said without conscience: "Entrepreneurship is easy to keep business, and I have to do things. There are many." "To be appropriate with wood, high-spirited" is used to describe his current state is superb.

In the profit-seeking society, Lin Qingfu keeps introspection and thinks that it is better to be a businessman than to be a self-employed person. Therefore, he is not in a hurry to make more money, but to self-improve, first do his own thing, and then manage the enterprise in a down-to-earth manner. Regarding the production of furniture, he almost took all the strength. The process of selecting materials, carving, polishing and so on was basically done by himself. On the one hand, production, on the one hand, research and update process. "As long as I have enough care, I believe I will make better furniture," he said with a smile.

Today, he is multi-tasking, responsible for brand product innovation, marketing and customer service, and is committed to corporate management. To be exact, he is not a completely passive recipient, but a person who dares to innovate and dare to accept challenges. For example, transplanting the experience of international advanced enterprise operations; management is increasingly refined, providing corresponding system cooperation; and the current "small profits but quick turnover, goods are sold" way, but the name of the enterprise such as "Yongxin" In general, always innovate and always set a new benchmark; the new pavilion only collects and displays the fine furniture that represents the unique taste and craftsmanship; hopes to cultivate more people who love wood and focus on wood, for the mahogany furniture industry. More power and so on. He hopes that under his own efforts, Yongxin Classical Furniture will continue to march for a hundred years.

Lin Qingfu is such a down-to-earth, pursuing his own taste, insisting on the beginning of the furniture, making the brand under the dam under Yongxin more valuable.

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